I was raised in Cornwall, and grew up in the English countryside. My earliest sketches were studies of my surroundings, locations which I felt moved to record. I have been influenced by the tradition of British landscape painting, particularly in my early works.

My paintings express a response to my perception of nature, to the transient acts of weather and the tenuous beauty of spontaneous cloud formations, captured in a fleeting moment. Traveling has been a source of inspiration for my work, taking me throughout the British Isles and Europe, and later through North Africa and East Africa. There is a body of my work that celebrates these experiences.

Sometimes I work from numerous studies, not always from the same location, but all with a view to a larger work. I love the skies, the source of light and the constantly changing barometric configurations. The expansive, magical thunderstorms over the savannah, the atmospheric conditions and their effect on the terrain; and more recently, the alluvial landscapes of the Hudson
River Valley and the Long Island Sound. The English landscape painter John Constable said, “It would be hard to describe a class of landscape in which the sky is not the key note, the standard of scale and chief organ of sentiment”.

During my years residing in the United States, I have continued to travel and paint throughout rural New England and the Southwest; I am now based in New York.
 
  GALLERIES & SELECTED EXHIBITIONS

2005 Miranda Fine Arts ,” Undercover”, Portchester, NY
1998 Kathryn Markel Fine Arts, NYC
1997 Markel Sears Works on Paper, NYC
1995 The Gallery at Hastings-on-Hudson,"The Nature of Landscape", Hastings-on-Hudson, NY
1994 The Hurlbutt Gallery,”Bronze,Graphite,Gold”, Greenwich, CT
1993 The Chappaqua Library, Chappaqua, NY, Group Show
1980 Whitney Museum of American Art, Downtown Branch, "The Architecture of Lower Manhattan", NYC
1979 The Photographers Gallery, London
1979 Es Portal Gallery, Mahon, Menorca, Spain
COMMISSIONS AND CORPORATE ART COLLECTIONS

The State Department, Washington, D.C
The Bellehaven Club, Greenwich, CT
Bank of America, NYC
Henri Bendel, NYC
The Wee Burn Club, Darien, CT
Saks Fifth Avenue, NYC
The Roundhill Club, Greenwich, CT
Fisher Associates, NYC
Tiffany and Co, NYC
Heather Hill Inc., Chardon, OH
The American Woolen Building, NYC
Robert AM Stern, Architect, NYC
Bloomingdales, NYC
The Hyannisport Club, Hyannisport, MA
The Harborside Corporation, Jersey City, NJ
Hotel Sahara Beach, Monastir, Tunisia
Nina Campbell Inc, London
Canastels, NYC
Il Giardineto, NYC
Angelos, NYC
Areo, NYC
 
SELECTED BIBLIOGRAPHY

Chris Madden – At Home - “ Imaginative Landscapes”, 2006
New York Times – “The Nature of Landscape” by Vivien Raynor, November 1995
Greenwich Magazine - Review of exhibit at Hurlbutt Gallery, May 1994
Greenwich Time - Review of Hurlbutt Gallery Exhibition 'Bronze, Graphite, Gold', May 1994
House and Garden - "Cottage Classic", Martin Filler, May 1989
Metropolis - "The Unreal Thing: Pictureseque Deceptions", Akiko Busch, September 1985
Interiors - "Something about a Wall", Wendy Staebler, September 1985
The Designer - "A Return to Elegance", January 1985
The New York Times - "After the White Wall", Joseph Giovanini, June 1985
The New York Times - "Trompe l'Oeil from Nature", Suzanne Slesin, July 1981
BOOKS

Trompe l'Oeil at Home - Karen Chambers, Rizzoli, 1991
Nursery Design - Barbara Aria, Bantam, New York, 1990
Floorworks - Akiro Busch, Bantam, New York, 1988
Wallworks - Akiro Busch, Bantam, New York, 1988
Bathroom Design - Barry Dean, Simon & Schuster, New York, 1987

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